発見, hakken: a finding. This is a record of what one designer notices in a week.

I grew up beside the Arakawa, in Adachi, and spent five years in a Ginza studio drawing identities for companies you have used without once thinking about them. That work teaches you to read a city as a page. A vending machine is set type. A rice bag is a packaging problem somebody solved in the eighties and nobody has improved on since. A good deal of the best design in Japan is like that: already in the street, unsigned, waiting to be looked at properly.

So this magazine watches the street as well as the feed. Around fifty sources come in through the day, ten of them Japanese, and what the world's studios are arguing about is counted and plotted so you can watch it move. Every third day I write about one thing I actually stood in front of.

What you get for a story is a headline, a short excerpt, one picture and the way out to the people who reported it. Never the article itself, and never the photograph as though it were ours. A story written in Japanese stays in Japanese here, headline and excerpt both, because that is how its author set it down.

Everything is also published in Japanese at hakkenmag.com/ja/.

— Ren Arakawa, Tokyo

← Hakken 週ごとのアーカイブ

PAGE online

Auf viele weitere PAGE-Turner!

10月23日

Peter Matz ist Studiolead & Member of the Executive Board bei Strichpunkt Identity, liest vor allem sehr viele Bücher und an weiteren Printprodukten nur noch die ZEIT, den SPIEGEL und die PAGE!

PAGE onlineで読む ↗

One letter a week, starting soon.

Latest

Auf viele weitere PAGE-Turner!

PAGE onlineの他の記事

Vielfältige Verbindungen: Pentagrams Identity für die Design Doha Biennial PAGE online

Eigene KI-Charaktere statt austauschbarer Bilder PAGE online

Agenturwachstum: Wie gelingt der nächste Schritt? PAGE online

Sonic Brandings heute: Neue Touchpoints & KI-Ethik PAGE online

Ein visuelles Gedicht über eine Generation im Dauersprint PAGE online

Selbstbewusst als Kreative: Auftreten, verhandeln, Grenzen setzen PAGE online