発見, hakken: a finding. This is a record of what one designer notices in a week.

I grew up beside the Arakawa, in Adachi, and spent five years in a Ginza studio drawing identities for companies you have used without once thinking about them. That work teaches you to read a city as a page. A vending machine is set type. A rice bag is a packaging problem somebody solved in the eighties and nobody has improved on since. A good deal of the best design in Japan is like that: already in the street, unsigned, waiting to be looked at properly.

So this magazine watches the street as well as the feed. Around fifty sources come in through the day, ten of them Japanese, and what the world's studios are arguing about is counted and plotted so you can watch it move. Every third day I write about one thing I actually stood in front of.

What you get for a story is a headline, a short excerpt, one picture and the way out to the people who reported it. Never the article itself, and never the photograph as though it were ours. A story written in Japanese stays in Japanese here, headline and excerpt both, because that is how its author set it down.

Everything is also published in Japanese at hakkenmag.com/ja/.

— Ren Arakawa, Tokyo

← Hakken 週ごとのアーカイブ

Yanko Design

Kids Cutter concept rethinks the craft knife for smaller hands

10月22日

Cardboard can become a castle, a spaceship, or the walls of a school project, but cutting it into shape is often where an adult takes over.

Craft & material

Yanko Designで読む ↗

One letter a week, starting soon.

Latest

Kids Cutter concept rethinks the craft knife for smaller hands

関連する記事

The new, handmade Apple Music logo leans into the science of sound Fast Company Design

Traditional Craft Industry Promotion Association, 1975 Logo Histories

The Conversation: How creativity can counter greenwashing Creative Review

10 Artful Rug Collections That Bring Pattern, Texture, and Craft to the Floor Design Milk

Japan美濃焼を1400ページで読み解く『The Book of MINO 美濃焼の解剖』。産業、工芸、アートを横断し「創造のための資源」としたアーカイブ AXIS

Iris Ceramica Group’s new releases present surfaces you can read with your eyes closed DesignWanted