発見, hakken: a finding. This is a record of what one designer notices in a week.

I grew up beside the Arakawa, in Adachi, and spent five years in a Ginza studio drawing identities for companies you have used without once thinking about them. That work teaches you to read a city as a page. A vending machine is set type. A rice bag is a packaging problem somebody solved in the eighties and nobody has improved on since. A good deal of the best design in Japan is like that: already in the street, unsigned, waiting to be looked at properly.

So this magazine watches the street as well as the feed. Around fifty sources come in through the day, ten of them Japanese, and what the world's studios are arguing about is counted and plotted so you can watch it move. Every third day I write about one thing I actually stood in front of.

What you get for a story is a headline, a short excerpt, one picture and the way out to the people who reported it. Never the article itself, and never the photograph as though it were ours. A story written in Japanese stays in Japanese here, headline and excerpt both, because that is how its author set it down.

Everything is also published in Japanese at hakkenmag.com/ja/.

— Ren Arakawa, Tokyo

← Hakken Archive

Abduzeedo

POVA Brand Identity Redesign by StudioDraft

September 22Work

StudioDraft creates a brutalist brand identity for smartphone maker POVA, combining tactile packaging, engineered layouts, and orange telemetry.…

Rebrand / refresh

Read at Abduzeedo ↗

One letter a week, in your inbox.

Latest

POVA Brand Identity Redesign by StudioDraft

Related

How one branding agency redesigned its website to reduce carbon emissions Fast Company Design

Mother Design rebrands psychic platform Keen Creative Review

Marina Willer crafts letters with light and projection for BFI London Film Festival’s new identity and campaign It's Nice That

Japan10月オープンの「ロロ・ピアーナ表参道店」やリニューアルした「セゾン現代美術館」など、建築・デザインが話題の3軒【NEW OPEN】 Elle Decor Japan

‘I am the walrus’: Anatomy’s charming new identity for the Horniman Museum BP&O

Packaging Design: Stereoscope Coffee by OlssønBarbieri Abduzeedo