It's Nice That
A Ntsal identity uses the nonlinear timeline of films to inspire its expressive and compressive motion

The Cairo-based studio gives the film festival’s 18th edition a custom typeface and a shifting visual language that echoes the way events interlink across a narrative.
Read at It's Nice That ↗Related

Poltrona Frau | Vanity Fair XC In Motion Colour Hive

Thonik’s identity for Orkest Phion gives the symphony orchestra a brand that’s as ever-changing and itinerant as its programme BP&O

Hunter Harvey’s “text paintings” are graphic parodies where the typeface is the main character It's Nice That
